new orleans' theatrical pugilism
April 12th, 2012
My weekly column of reviews, previews, and opinions concerning The New Orleans’ theatrical scene.
- Cutting Through the Static
- Original Intent
- Support Your Local Playwright
- Created Enchantment
- Limited Character
- Get Thee To A Nunnery
- Theatre’s Spring Shower
- Out Of The Ashes
- Wrestling The Gorilla
- The 800 lb. Gorilla
- Interrogative Scenes
- Tiny Alice: A Review
- Revelry Notes
- The State Of Play
- The Trip To Bountiful
- 5 Arresting Moments
- Stocking Stuffers
- Shot Through The Ear With A Love Song
- The Fog Of The Body
- Coming Out
- Small Autonomous States
- Monstrous Desires
- The Graduate
- The I Of The Beholder
- A Road More Travelled
- ‘Waiting Around,’ A Review
- ‘Brother,’ A Review
- 10 Lousy Bucks
- The New Paradigm
- The Deal Is The Thing
- Mildred, Dearest
- A Bountiful Sadness
- ‘Twelfth Night,’ A Review
- No Petit Weekend
- Into The Maelstrom
- Sculpting The Bard
- Norman Conquers All
- A Critical Line
- Seven Against Titus
- Words of Wisdom
- A Feast of Languages
- Exit Le Chat (April 27, 2011)
- Women Who Kill, A Review (April 26, 2011)
- A Desired Prescription (April 20, 2011)
- Orange Flower Water (April 17, 2011)
- A Theatrical Desire (April 13, 2011)
- Marisol: A Review (April 11, 2011)
- Air Born (April 8, 2011)
- Parallel Universe (April 4, 2011)
- The Wizard of Oz, A Review as Editorial (March 30, 2011)
- Identical Crises (March 28, 2011)
- A Tale of Two Collaborations (March 25, 2011)
- ‘A Different Woman,’ A Review (March 22, 2011)
- A Critic’s Manifesto (March 23, 2011)
- Closer, A Review (March 19, 2011)
- Theatre Review: A Different Woman (March 22, 2011)
- Facing The Stage (March 16, 2011)
new orleans' theatrical pugilism
